tag:blogger.com,1999:blog-219363636849408472.post8418168915112292651..comments2024-03-29T04:08:32.859-07:00Comments on Judith I Bridgland: Yes at the Brighton Centre - 21 March 2018Judithhttp://www.blogger.com/profile/01699059997487134415noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-219363636849408472.post-87377418933598431202018-04-08T09:41:34.391-07:002018-04-08T09:41:34.391-07:00Again, well said Michelle.Again, well said Michelle.Judithhttps://www.blogger.com/profile/01699059997487134415noreply@blogger.comtag:blogger.com,1999:blog-219363636849408472.post-17158801758912440702018-04-08T09:14:28.654-07:002018-04-08T09:14:28.654-07:00I think all of the reasons Jon put forward have va...I think all of the reasons Jon put forward have validity but its to what extent and which are the most significant. The Glasgow audience has ALWAYS had its reputation as an emotionally tactile one more so than anywhere else I can think of. I have known about it all the way back to the late 70's so there is a cultural broader issue and its connected to key remarks about my journey. In the South Island everyone knows everyone, everyone pitches in and there is a sense this is ours and WE are responsible for our fortunes. If they do not do anything things will not get done. If a Scottish audience is sat in front of Yes they accept their responsibility that it is a two way thing and both benefit from that so yes its cultural and when in New Zealand I once came across a group of English people I noticed the same thing they want their monies worth and if they do not get it in precisely the way they envisage they become whinging poms, over looking the extra ordinary benefit of taking responsibility, engaging and making it happen or turn it round themselves. Its the same transaction, its the same lack of connection whether its turning some thing round or taking it to another level. The band are not a CD to be played they like us respond which I would have thought is obvious how do you get the best out of anything in life by committing yourself.Michelle Johnstonhttps://www.blogger.com/profile/08544876508441166613noreply@blogger.comtag:blogger.com,1999:blog-219363636849408472.post-75159064585238864592018-04-08T07:42:43.635-07:002018-04-08T07:42:43.635-07:00We did think this over during the tour, because it...We did think this over during the tour, because it seemed as if the further south we went, the more determined audiences became to sit on their bahookies. The difference between Glasgow and Brighton was night and day. <br /><br />Geoff said that the band reckoned it was because the audiences were all getting older, but I don't buy that. It's not the SAME people as 50 years ago. The make-up of the audience is fluid and dynamic, and whilst the bulk are certainly over 50, there are ages right across the board. And the ones who ARE getting up and responding are (cough) in the older bracket.<br /><br />Having been in the near-unique position of being at every single concert, I would hypothesise that it is nothing at all to do with age, but with attitude and cultural difference. I'm up on my feet because seeing Yes is a communal experience which needs a communal expression of the energy and passion which the music gives us. It's a direct, mutual communication - us and the band. The band aren't a sealed off, enclosed performing machine on stage, and we aren't just sitting there with our arms folded waiting to be entertained. We are all part of the performance. You don't just 'receive' the performance, you don't just take. You give out, you join in, you become involved, you commit to being there, you engage. That's culturally how I am used to expressing things here in Scotland. <br /><br />It's a small country. That means that somehow, everyone knows someone who knows someone else that you know. There's an underlying sense of being a group. It's about the team, the group experience, about everything, about all being together. I carry that sense of community with me, and it is very important to me, and especially so when I am on a Yes tour. That's why we go to every gig. That's what live music and performance is about. <br /><br />Obviously other people in audiences didn't feel like that at all - they went there as individuals, they wanted their money's worth, there are clear delineations between the space of the band and the space of the viewer, and they wanted an experience akin to hearing a CD in their living room. That lack of feeling the need to engage in the way I do is, I would suggest, just a cultural difference. It's not wrong, it's just different. I find it very frustrating and odd, but there you are. The people behind in Brighton having their view blocked by me dancing probably also found it very frustrating.<br /><br />Anyway, I don't listen to CDs, I only ever hear music live. So I will continue to travel with my friends to concerts, and to get up on my feet and dance, because it's that that makes the whole thing the big, mad, ecstatic, life-enhancing, ridiculous package that it is.Judithhttps://www.blogger.com/profile/01699059997487134415noreply@blogger.comtag:blogger.com,1999:blog-219363636849408472.post-75210003265069281442018-04-08T05:42:34.020-07:002018-04-08T05:42:34.020-07:00Judith I had a very interesting conversation with...Judith I had a very interesting conversation with Jon Hoare on the Sunday afternoon where amongst other things he asked me my opinion about why are audiences so soporific. He mentioned the insidious effect of disengagement through the internet, the flat screen and the carrying of and interrupted relationship that the Smart Phone creates. I am inclined to point to something more fundamental which I reflected on in my journey this winter. The absence of open minded enquiry, engagement and passion replaced by a sense of entitlement mixed with low levels of energy and real passion. Its almost as if people have forgotten how to self start their enjoyment and need to have it spoon fed but forget to react !! Michelle Johnstonhttps://www.blogger.com/profile/08544876508441166613noreply@blogger.com