Sunday, 26 April 2015

"Colour" in Suffolk

Here's a couple of photos of the show at the Lime Tree gallery in Long Melford, Suffolk.

The show opened yesterday (with 6 out of my 10 paintings selling!) and continues for another month.  You can see below that my work is hanging alongside paintings by Pam Carter and Peter King.

Thank you so much to everyone who came along and who helped to make the show such a success!





Friday, 24 April 2015

Previews North and South!

Amazingly, tomorrow I have TWO shows opening in two completely different places at the same time!

In Crieff I have "Crackling with Colour" opening at the Strathearn Gallery, with ceramics by Anne Morrison and mixed media work by Emma Davis. (The reason for the name is to give a sense of the mixture of colourful paintings and the crackle-glaze of the ceramics).

Rest and Be Thankful (Oil on linen, 32 x 32)

Meanwhile, in Long Melford in Suffolk, I have "Colour" opening at the Lime Tree Gallery, with paintings by fellow Scots Pam Carter, Peter King and Joe Hargan.  Again, the title reflects the vibrant love of colour that Sottish art is so well known for.

Pink Grasses in Sunlight, the Campsies (Oil on linen, 12 x 12)

Please feel free to come along to either of the all-day previews.  And see you in Crieff if you're in Perthshire!

Tuesday, 21 April 2015

Bass Rock Painting Going Cheap!!

If anyone out there is interested in an early piece of mine, here's a blast from my past - it's the Bass Rock through grasses on the clifftop at North Berwick, for sale on GUMTREE for a purse-friendly £750.

Amazing what turns up!

Just Delivered!

In amazingly, gorgeous, blazing sunshine, I've just delivered my paintings to the Strathearn Gallery in Crieff, ready for the opening of the  'Crackling with Colour'  exhibition which kicks off on Saturday.



The gallery is stripped bare ready for the hang, which is always exciting.  Emma Davis's work is already there, and Anne Morrison will be delivering her wonderful pots and sculptures on Thursday.  Between now and the opening on Saturday, it's a case of seeing which work complements which, and making an exhibition which reads within the space.

Anne and I have been working together closely on the show, exchanging ideas between my paintings and her ceramic work.

Blue Sail on Derwent Water, Autumn (Oil on linen, 16 x 16)

Anne Morrison, Echoes of the Cleared (Ceramic Sculpture)

Dark Hill with Orange Grasses, Argyll (Oil on linen, 24 x 26)

Anne Morrison, Red Smoked Pot with Forked Wood (Ceramic and wood)

Heather and White Sand, Camusdarach (Oil on linen, 16 x 16)

Anne Morrison, Pink Pot with Wiggly Wood (Ceramic and wood)

Moon over the Sea (Oil on linen, 24 x 26)

Anne Morriosn, Harvest Moon (Ceramic)

Sunset over the Sea (Oil on linen, 12 x 12)

Anne Morrison, Copper Leaf Urn with Driftwood (Ceramic and wood)

Sweep of the Bay (Oil on linen, 32 x 48)

Anne Morrison, Enfolding (ceramic and wood)

See you on Saturday!

Tuesday, 14 April 2015

"Colour" at the Lime Tree Gallery, Suffolk

Also coming along shortly now is a show at the Lime Tree Gallery in Long Melford, Suffolk, with weel-kent Scottish artists Pam Carter, Joe Hargan and Peter King.

The theme of the exhibition is colour, and vibrant, expressive colour is one of the hallmarks of Scottish art.  This love of colour, along with energetic mark-making and a joy in the texture of oil paint are all characteristics of my work.

For the show, I have made a special collection of ten paintings, each of which celebrates a different colour. 

Over a series of months, I made careful studies and observations in various locations in Suffolk, Scotland and Northern Ireland, taking photographs and making notes. Back in the studio, I used this large library of reference material to create the finished oil paintings.

Each of my pictures at this exhibition has a key colour in their title and as their theme - hence the stormy olive green of the rough North Sea, the sunny yellow of autumn grasses, the uplifting red of poppies.  The colour is observed in nature, but is then heightened and emphasised in order to give an expressive and emotional force to the scene.

Colour, then, is not just purely descriptive, but also captures an emotional feeling of what is was like to be in the landscape, and a very specific sense of place and time.

To give you a flavour of the show, here are some of my collection. 

Olive Green Sea in Summer Storm, Aldeburgh (Oil on linen, 32 x 32)


Orange Carpet of Autumn Leaves (Oil on linen, 16 x 16)


Turquoise Evening Sea, Aldeburgh (Oil on linen, 32 x 32)


Pink Grasses in Sunlight, the Campsies (Oil on linen, 12 x 12)

You can also see a link to all the paintings here.  The show opens on Saturday 25th April, and runs until May 30th.


Thursday, 9 April 2015

'Crackling with Colour' at the Strathearn Gallery

That's the name of the show that I have with Emma Davis and Anne Morrison at the Strathearn Gallery in Crieff.  

It opens on Saturday 25th April, and everyone is very welcome to come along!  There's a great catalogue in the post to everyone who's requested one - otherwise email the gallery and request yours!

Here's a couple of the paintings from the show...

Dark Hill with Orange Grasses, Argyll (Oil on linen, 24 x 26)

Path Through Bluebell Woods (Oil on linen, 24 x 26)

Rosebay Willowherb at Camusdarach (Oil on linen, 32 x 32)

There's a link to the show where you'll shortly be able to see everything online.

Hope you can make it along!

Friday, 3 April 2015

Stormy Weather, Arran in the Distance

It's always interesting to come across blogs on the internet where my paintings have provided a starting point for other people's work, such as the school in Northern Ireland who used one of my Causeway Coast paintings for a class art exercise.

Well, here's another example that I've come across - see what you think.

Here's my painting, Stormy Weather, Arran in the Distance....



..and here it is as a watercolour, where the main colour values have been identified and isolated.  The suggestion of the outline of Arran in the background and the foreshore have been drawn in in pen in order to give context.


It's a great idea for a colour exercise, and is certainly a completely new take on the original painting.

Really interesting work!